Printmaking:
Monday, May 17, 2010
Thursday, May 13, 2010
Wednesday, May 12, 2010
Tuesday, May 11, 2010
Final Review Handout
Here is the review handout we got in class. We will go over a section a day until next Monday.
Exam review
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Sunday, May 2, 2010
May 3 - 7
Lesson: Mixed Media Relief Collage
Project Objectives: create a relief collage with the following
• Correctly render facial features, each on individual 4x6 drawing paper: eyes, nose, and mouth
• Use journal techniques to create a mixed media background using a “shape” motif and a color scheme
• Use paper sculpture techniques to create a sense of relief between the motif shapes and the features drawings
Monday: Work on contour project.
Tuesday: Last day to work on contour project. Contour Drawing due!
Wednesday: Using 4x6 drawing paper, render these facial features in pencil value: eyes, nose, and mouth.
Thursday-Friday: Begin working on background collage using a shape motif and journaling techniques.
Extra Credit Journal assignment is due on Monday, May 10, NO EXCEPTIONS!\
Project Objectives: create a relief collage with the following
• Correctly render facial features, each on individual 4x6 drawing paper: eyes, nose, and mouth
• Use journal techniques to create a mixed media background using a “shape” motif and a color scheme
• Use paper sculpture techniques to create a sense of relief between the motif shapes and the features drawings
Monday: Work on contour project.
Tuesday: Last day to work on contour project. Contour Drawing due!
Wednesday: Using 4x6 drawing paper, render these facial features in pencil value: eyes, nose, and mouth.
Thursday-Friday: Begin working on background collage using a shape motif and journaling techniques.
Extra Credit Journal assignment is due on Monday, May 10, NO EXCEPTIONS!\
Journal apr 15
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Monday, April 26, 2010
April 26 - 30
Lesson: Line Contour with color emphasis
Project Objectives: create a drawing with the following-
- Thoroughly plan a composition with visual movement
- Create a focal point using color for an object in the still life
- Use descriptive contour lines to describe the still life
- Demonstrate knowledge of mark-making by using both thick, thin, and cross-contour lines.
- Monday: Introduce drawing project by revisiting both blind and modified contour drawing. Students need to be able to recognize the difference between the two types of drawing.
- Tuesday: Work on cutting out the objects of the still before it is assembled. Use scrap paper and make sure you show the details in the silhouette of the cut paper.
- Wednesday: Looking at the still life arrangement - begin assembling the cut paper objects focusing on overlapping and placement.
- Thursday-Friday: Make 3 thumbnails and begin drawing the still life. Use pencil to sketch in the big shapes, then thick pen for the main focus of the drawing. Use thin sharpie for the background drawing and the details. - all are due on MONDAY, May 3rd!
Friday, April 23, 2010
Ceramics Terms Power Point and Handout
We went over some ceramics terms to end our clay unit. We filled out this handout using the following power point.
Intro. ceramics powerpoint
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Sunday, April 18, 2010
Monday, April 19
Hoping I get a flight out of Washington, DC (I had to take a shuttle to DC b/c there were no flights out of Baltimore), I will be in class on Monday!!
Expect to begin a relief expressive portrait! See you then!
Sunday, April 11, 2010
April 12 - 16
This week we are focusing on 2 Journal Assignments that will take us into the next two Studio Projects!
Journal Assignment:
- Monday: Introduce Face Proportions and Expressions Journal Assignments. Extra Credit Journal assignment is due!
- Tuesday: Introduce Still Life Shape Compositions Journal Assignments. Review for Sculpture Test. [View the Sculpture Power Point and review your Sculpture Terms]
- Wednesday: Sculpture Terms Test! Work on Journal Assignments.
- Thursday-Friday: Work on Journal Assignments - all are due on MONDAY, APRIL 19!
Journal Assignment:
- Face Proportions and Expressions Journals.
- Still Life Shape Compositions.
Sunday, March 28, 2010
March 29 - April 2
Current Project: Repeated Paper Sculpture Motifs
Journal Project: Mark-making monotypes
Quote: "All art is advertising. it stands for a particular point of view." -Jack Beal
Journal Project: Mark-making monotypes
- Monday: Work on paper sculpture. Journal assignment is due!
- Tuesday: Work on paper sculpture. Sculpture Motif notes are due with observations of your paper sculpture and the techniques you used.
- Wednesday: Introduce mark-making by viewing the video of Kseniya Simonova from Ukraine. Students will begin making their own tools for mark-making similar to her sandpainting and will plan on making their own "sandpainting" using paint and mark-making tools. Work on paper sculpture.
- Thursday: Make monotypes using mark-making tools. Complete paper sculptures.
- Friday: Work on paper sculpture.
Quote: "All art is advertising. it stands for a particular point of view." -Jack Beal
Monday, March 22, 2010
March 22 - 26
Current Project: Repeated Paper Sculpture Motifs
Journal Project: Creating Form in pencil
Quote: "All art is advertising. it stands for a particular point of view." -Jack Beal
Journal Project: Creating Form in pencil
- Monday: Draw the morphed design for the pattern and cut it out.
- Tuesday: Use pattern pieces to trace around and begin cutting out from cardstock. You MUST use at least 8 and no more than 12 motifs.
- Wednesday: Critique collagraphs.
- Thursday: Begin arranging the motifs for your paper sculpture. Focus on creating a sense of rhythm and a path of visual movement. Journal Assignment is due!
- Friday: Work on paper sculpture.
Quote: "All art is advertising. it stands for a particular point of view." -Jack Beal
Friday, March 19, 2010
Sculpture Motif Notes
View the Sculpture Motifs Power Point.
Focus on the last half of the power point.
On your journal page, write down the definition of MOTIF.
Then for the following artists, DRAW only a MOTIF from one sculpture for each sculptor (you should have four drawings). Then for each motif, explain how the artist used the motif in the sculpture.
Ppt Sculpture Repetiton Minus One Sculptor
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Focus on the last half of the power point.
On your journal page, write down the definition of MOTIF.
Then for the following artists, DRAW only a MOTIF from one sculpture for each sculptor (you should have four drawings). Then for each motif, explain how the artist used the motif in the sculpture.
- Betsy Atwell Dudley
- Don Gummer
- Betty Gold
- Alexander Calder
Monday, March 15, 2010
March 15 - 19
Current Project: Repeated Paper Sculpture Motifs
Journal Project: Creating Form in pencil
Quote: That which is static and repetitive is boring. That which is dymanic and random is confusing. In between, lies art. - John Locke (and he is not from Lost)
FOLDERS ARE DUE ON MONDAY, Monday March 23rd!
Journal Project: Creating Form in pencil
- Monday: Discuss progress on paper sculptures. Talk about what is working and what is not. Discuss form in 2-D and give out journal assignment.
- Tuesday: Critique paper sculptures and last journal entry.
- Wednesday: View sculptors work on power point and introduce rest of the lesson. Begin drawing the motifs based off the Notan project. Work on journals.
- Thursday: Begin cutting out the notan motifs from poster board, focusing on craftsmanship.
- Friday: Complete journal assignment and turn in.
Quote: That which is static and repetitive is boring. That which is dymanic and random is confusing. In between, lies art. - John Locke (and he is not from Lost)
FOLDERS ARE DUE ON MONDAY, Monday March 23rd!
Thursday, March 4, 2010
Thursday & Friday, March 5
What do you need to get done????
1. Complete your COLLAGRAPH Prints. Make sure you sign them in PENCIL - name in lower right! Here is what you need to turn in next Wednesday, 3/10...
1. Complete your COLLAGRAPH Prints. Make sure you sign them in PENCIL - name in lower right! Here is what you need to turn in next Wednesday, 3/10...
- An EMBOSSING, no ink just impressed in the surface. (only mist THE BACK of the white paper)
- One GREAT print - ink is your choice
- One MONOPRINT - Use a 2ND GREAT Print and alter it with watercolor.
- 2 pages using a color scheme with your PRINTED BLOCK DESIGNS made through tissue paper. Complete the whole page using oil pastels and/or watercolor. Add a TITLE for your COLOR SCHEME!
- Print your BLOCK DESIGNS and then use a mirror to draw your self in PENCIL. Add value and a background.
Sunday, February 28, 2010
March 1-5
Current Project: Matisse Cutouts Collagraphs
Journal Project: Relief Print Self-Portraits
Journal Project: Relief Print Self-Portraits
- Monday - Friday: Work on printing collagraphs. Choose one of the collagraph prints to turn into a monoprint. When not printing work on your relief self-portraits for your journal entries.
Wednesday, February 24, 2010
February 24, Wednesday
What you need today: portfolio and journal
Collagraph Printing today: you need to complete the sample prints today!!!
Journal: Glue in your journal, all THREE sample prints. Write at least two sentences about the process for each of the prints. You need a total of SIX sentences!
Block Printing: Work on your linoleum blocks. Do some proof printing by using magic marker on the surface of the block and printing directly into your journal.
ALL COLLAGRAPH PLATES MUST BE COMPLETED AND SEALED BY FRIDAY! WE WILL BEGIN PRINTING ON MONDAY!!
Collagraph Printing today: you need to complete the sample prints today!!!
Journal: Glue in your journal, all THREE sample prints. Write at least two sentences about the process for each of the prints. You need a total of SIX sentences!
Block Printing: Work on your linoleum blocks. Do some proof printing by using magic marker on the surface of the block and printing directly into your journal.
ALL COLLAGRAPH PLATES MUST BE COMPLETED AND SEALED BY FRIDAY! WE WILL BEGIN PRINTING ON MONDAY!!
Friday, February 19, 2010
February 22 - 26
Current Project: Matisse Cutouts Collagraphs
Journal Project: Relief Print Self-Portraits
FOLDERS ARE DUE ON MONDAY, FEBRUARY 22!
Journal Project: Relief Print Self-Portraits
- Monday: Review CLEAN-UP procedures. Discuss how to use linoleum tools and begin making the linoleum blocks. 7 students will print collagraph samples.
- Tuesday: If all students have printed their samples, we will begin printing our collagraphs in groups of 6-7 students. Students not printing will work on their relief blocks for their journal entry.
- Wednesday - Thursday: 7 students will print their collagraph plates. Students not printing will work on their relief blocks for their journal entry.
- Friday: Students will work on their Relief Print Self-Portraits.
FOLDERS ARE DUE ON MONDAY, FEBRUARY 22!
February 19, Friday
What you need today: Folder, journal, pencil
FOLDER CHECK ON MONDAY, FEB. 22!
If you printed a SAMPLE plate yesterday: Today you will glue down each print into your journal and write a reflection for each print. AT LEAST, 2 sentences about what worked and what didn't.
If you are not printing today:
FOLDER CHECK ON MONDAY, FEB. 22!
If you printed a SAMPLE plate yesterday: Today you will glue down each print into your journal and write a reflection for each print. AT LEAST, 2 sentences about what worked and what didn't.
If you are not printing today:
- Transfer your eye drawing to a piece of SPEEDCUT LINOLEUM using vine charcoal.
- Trace the vine charcoal with a sharpie.
- Add an outside frame - be creative.
- Using the LINOLEUM GOUGES, carve away any negative spaces on your 'EYE' plate. Leave some DIRECTIONAL LINES.
Tuesday, February 16, 2010
February 16 - 19, Quote of the week
"I passionately hate the idea of being with "it," I think an artist has always got to be out of step with his time." -Orson Welles
___________
Orson Welles was both an award-winning actor and a director. What do you think "it" is? What is "out of step"?
___________
Orson Welles was both an award-winning actor and a director. What do you think "it" is? What is "out of step"?
Monday, February 15, 2010
February 16, Tuesday
What you need today: collagraph plate, brush, mod podge, printing paper, ink
Complete your Collagraph plate. Make sure you have your textures glued down well to the plate.
Seal your Collagraph plate.
Use mod podge to seal everything on your plate. Make sure you cover all the textures with the glue. The glue will dry transparent, but you need to make sure you don't put so much on that it is white. MAKE SURE YOU WASH THE BRUSH OUT COMPLETELY AFTER USING THE MOD PODGE.
Test your plate.
Once your plate has been sealed for a day, then you can make a FROTTAGE, or rubbing of your plate to test it before you print for the first time. Cover the collagraph plate with newsprint and use a crayon to rub across the top of the paper.
Ink your plate.
Apply ink from the well using a dauber. Use sheets of newpaper to rub or buff off the ink. The lighter the ink, the harder is is to show different textures.
Pulling your Print.
Run your plate through the press after lightly misting the paper. Slowly pull the paper from the collagraph plate.
Complete your Collagraph plate. Make sure you have your textures glued down well to the plate.
Seal your Collagraph plate.
Use mod podge to seal everything on your plate. Make sure you cover all the textures with the glue. The glue will dry transparent, but you need to make sure you don't put so much on that it is white. MAKE SURE YOU WASH THE BRUSH OUT COMPLETELY AFTER USING THE MOD PODGE.
Test your plate.
Once your plate has been sealed for a day, then you can make a FROTTAGE, or rubbing of your plate to test it before you print for the first time. Cover the collagraph plate with newsprint and use a crayon to rub across the top of the paper.
Ink your plate.
Apply ink from the well using a dauber. Use sheets of newpaper to rub or buff off the ink. The lighter the ink, the harder is is to show different textures.
Pulling your Print.
Run your plate through the press after lightly misting the paper. Slowly pull the paper from the collagraph plate.
Wednesday, February 10, 2010
February 10-11, Wednesday & Thursday
Complete your collagraph board so we can begin printing on Tuesday.
Once you have built up your textures, seal them in mod podge and leave it to dry overnight. All of the board must be sealed in order to print the following day.
We will begin a couple of printmaking techniques for our journal assignments while we all printing our collagraphs.
Once you have built up your textures, seal them in mod podge and leave it to dry overnight. All of the board must be sealed in order to print the following day.
We will begin a couple of printmaking techniques for our journal assignments while we all printing our collagraphs.
Tuesday, February 9, 2010
February 8-9, Monday & Tuesday
What you need: collagraph board, textures, construction paper "maquette"
Your project plan made out of construction paper is due at the end of class on Monday. You should be working on your collagraph board by Tuesday.
I plan on the first printings for Tuesday, February 16.
Your project plan made out of construction paper is due at the end of class on Monday. You should be working on your collagraph board by Tuesday.
I plan on the first printings for Tuesday, February 16.
Friday, February 5, 2010
February 5, Friday
What you need today -- portfolio, journal
Continue to work on your construction paper "maquette" of your Matisse Project Plan. Your construction paper plan must be approved before you move onto your building your collagragh texture board.
During class today we will print the texture board we made in class yesterday.
Continue to work on your construction paper "maquette" of your Matisse Project Plan. Your construction paper plan must be approved before you move onto your building your collagragh texture board.
During class today we will print the texture board we made in class yesterday.
Thursday, February 4, 2010
February 4, Thursday
What you need today -- Folder, portfolio, something to write with
Quiz today! Then we will demo different textures for our collagraphs.
Quiz today! Then we will demo different textures for our collagraphs.
Wednesday, February 3, 2010
February 3, Wednesday
What you need today? Folder, pencil or pen, project plan enlargement
We will view a video about printmaking techniques and tools to help us with our next project. Fill out the printmaking terms sheet as you view it. After the video, we will work on creating our project plan in construction paper.
Printmaking Power Point:
We will view a video about printmaking techniques and tools to help us with our next project. Fill out the printmaking terms sheet as you view it. After the video, we will work on creating our project plan in construction paper.
Printmaking Power Point:
Tuesday, February 2, 2010
Matisse Power Point
This is the power point we watched in class last week about Matisse. You were to take notes during the presentation and had to include a cool title, the hallmarks of Matisse's style, his themes for his cutouts, and draw at least of the shapes from his power point.
Matisse Drawing With Color
View more presentations from Riverwood HS.
Matisse Site
Thanks to Rachel Butler for finding this interactive site about Matisse:
http://www.pbs.org/parents/creativity/sensory/matisse.html
http://www.pbs.org/parents/creativity/sensory/matisse.html
February 2, Tuesday
What do you need today? Notan, Journal assignments, green rubric
Critique Day for our Notan Collages! All notan is due today. We will look over our collages and review the grading rubric as critique our work.
Project Plan is due tomorrow!
Critique Day for our Notan Collages! All notan is due today. We will look over our collages and review the grading rubric as critique our work.
Project Plan is due tomorrow!
Monday, February 1, 2010
February 1, Monday
We are going to put off talking about Printmaking techniques until Wednesday.
Today we will review what makes a Matisse cut-out and what is expected of each student for the project plan which is due on Wednesday. The expectation is for the students work on their project ideas and to use color pencils on the enlargement to help show what will be the same texture for our collagraph plates.
__________________________________________________________________
Quote for the week: An artist cannot speak about his art any more than a plant can discuss horticulture." - Jean Cocteau
Today we will review what makes a Matisse cut-out and what is expected of each student for the project plan which is due on Wednesday. The expectation is for the students work on their project ideas and to use color pencils on the enlargement to help show what will be the same texture for our collagraph plates.
__________________________________________________________________
Quote for the week: An artist cannot speak about his art any more than a plant can discuss horticulture." - Jean Cocteau
- Jean Cocteau was a French poet and playwright who was friends with many artists who worked in Paris, most notable is Pablo Picasso.
- Horticulture is the industry and science of growing plants.
Friday, January 29, 2010
February 1 - 5
Unit 1 - What is Design?
Current Project: Matisse Cut-Out Style Collographs- Apply different textures to create an exciting collograph
- Demonstrating an understanding of positive and negative space
- Choose at least two colors for the collograph using color theory to enhance the meaning of the collograph
- Develop the collograph design based on either an abstraction of nature or on a personal life-experience
- Formally present the best print to the class and defend the collograph design and color choice.
- Monday: Introduce printmaking techniques and complete definitions quiz. Complete jounals page by the end of class. Journal assignment due!
- Tuesday: Critique day for our Notan Compositions and our journal assignments. You can bring "snacks." Notan is due!
- Wednesday: Demo how a collagraph works. Continue working on our Matisse project plan (the enlargement). Project plan is due in color!
- Thursday: Begin creating collagraph plate.
- Friday: Journal Day!
Journal Assignment: Create a Matisse paper construction of your project plan. Use cut paper to create your project plan. Construct the paper in bright colors as Matisse would have. Due on Tuesday, February 16.
January 29
Journal Day. We are completing our word composition pages with colored pencil and watercolor.
Assignments due next week:
For your Matisse-style project plan:
Assignments due next week:
- Project Plan for Matisse-style cutouts, due Wednesday, February 3
- Notan Project for a class critique, due Tuesday, February 2
- Journal Pages, due Monday, February 1 (end of class)
For your Matisse-style project plan:
- Make three thumbnails of a natural environment, an event or place, or a story (no movies).
- Must include background shapes, overlapping shapes, no details.
- Remember you are trying to make sure other people don't guess right off the bat what your "theme" is - be secretive.
Thursday, January 28, 2010
January 28, Thursday
View the Matisse Power Point. Look for connections between our last two projects and his work. Find what are the "hallmarks" of his cutout style.
Begin to plan for a collograph print using a Matisse theme: a natural environment or an event.
Use background shapes to create visual movement. Make organic shapes to convey expression and information about the concept.
Once you have designed the plate use color pencils to LIGHTLY color in the different areas that are related so it can be translated into a collograph print (we talk about that next week.)
Project Plan is due by next Monday, February 2nd.
Begin to plan for a collograph print using a Matisse theme: a natural environment or an event.
Use background shapes to create visual movement. Make organic shapes to convey expression and information about the concept.
Once you have designed the plate use color pencils to LIGHTLY color in the different areas that are related so it can be translated into a collograph print (we talk about that next week.)
Project Plan is due by next Monday, February 2nd.
Monday, January 25, 2010
January 25, Monday - January 27, Wednesday
Putting the Notan Together
When you are finished, work on your Journal Entries.
- Choose the BACKGROUND colored paper.
- Cut out the RECTANGLES from your two other pieces of colored paper. Use a ruler to measure the rectangles according to the "Format" page in your folder (the "packet"). Cut the rectangles out with an exacto and a ruler. Remember neatness counts.
- Cut your big template apart by rectangles and use them as a pattern for cutting out your mutations from the correct colored paper.
- Place the pattern over the correct colored paper and cut out the mutation using an exacto (don't forget the cutting board).
- Glue down the rectangles, then the mutations using small dots of glue. Don't forget to spread out the glue with your finger.
When you are finished, work on your Journal Entries.
Quotes for the First Three Weeks
January 12: "A man paints with his brains and not his hands." - Michelangelo
January 19: "Every child is an artist. The problem is how to remain an artist once he grows up." - Pablo Picasso
January 25: "The essence of drawing is line exploring space." - Andy Goldsworthy
January 19: "Every child is an artist. The problem is how to remain an artist once he grows up." - Pablo Picasso
January 25: "The essence of drawing is line exploring space." - Andy Goldsworthy
Sunday, January 24, 2010
January 25 - 29
January 19 - 22
Unit 1 - What is Design?
Current Project: Cut-Paper Notan
Objectives: create a cut-paper collage with the following (click here for the project rubric)
Current Project: Cut-Paper Notan
Objectives: create a cut-paper collage with the following (click here for the project rubric)
- Plan and create an interesting color scheme
- Creatively use and manipulate postive and negative spaces
- Utilize space, color, and direction to create visual movement
- Abstract a form through five different changes while mainting key identifiable elements
- Practice good craftsmanship by making clean cut edges and controlling the glue used
- Monday: Work on Notan paper construction.
- Tuesday: Glue and complete the Notan constructions.
- Wednesday: Registration Day! Today will be short. View Riverwood Visual Arts movie. Work on journal.
- Thursday: Critique Notan and view Matisse Power Point.
- Friday: Journal Day. Complete 2 journal pages with watercolor. Journals due at the end of period!
Journal Assignment: EXPRESSIVE WORD COMPOSITIONS. Choose an expressive word from class and demonstrate it. You are selling the work like a graphic designer. You can use color, shape, and the letters from the word you have chosen. For color you can use colored pencils and watercolor. Due on Thursday, January 28.
Wednesday, January 20, 2010
January 19 - 22
Unit 1 - What is Design?
Current Project: Cut-Paper Notan
Objectives: create a cut-paper collage with the following (click here for the project rubric)
Current Project: Cut-Paper Notan
Objectives: create a cut-paper collage with the following (click here for the project rubric)
- Plan and create an interesting color scheme
- Creatively use and manipulate postive and negative spaces
- Utilize space, color, and direction to create visual movement
- Abstract a form through five different changes while mainting key identifiable elements
- Practice good craftsmanship by making clean cut edges and controlling the glue used
- Monday: MLK Day!
- Tuesday: Complete the object abstractions and choose color schemes.
- Wednesday: Plan color schemes on main template and on the smaller format in the notan packet.
- Thursday: Journal Day!
- Friday: Begin cutting the "windows" of our objects into the compartments of our notan compositions.
Journal Assignment: EXPRESSIVE WORD COMPOSITIONS. Choose an expressive word from class and demonstrate it. You are selling the work like a graphic designer. You can use color, shape, and the letters from the word you have chosen. For color you can use colored pencils and watercolor. Due on Thursday, January 28.
Sunday, January 10, 2010
January 11 - 15
Unit 1 - What is Design?
Current Project: Matisse Cut-Out Style Collographs- Apply different textures to create an exciting collograph
- Demonstrating an understanding of positive and negative space
- Choose at least two colors for the collograph using color theory to enhance the meaning of the collograph
- Develop the collograph design based on either an abstraction of nature or on a personal life-experience
- Formally present the best print to the class and defend the collograph design and color choice.
- Monday: Finish working on black square project. Must complete two projects, or one complex project.
- Tuesday: Critique day for our Black Compositions.
- Wednesday: Introduce Notan project. Make drawings in journal from tools provided in class.
- Thursday: Abstract drawing and beginning planning your notan using the planner provided in class.
- Friday: Journal Day!
Journal Assignment: Last week's project was not done thanks to the lovely snow. EXPRESSIVE WORD COMPOSITIONS. Choose an expressive word from class and demonstrate it. You are selling the work like a graphic designer. You can use color, shape, and the letters from the word you have chosen. For color you can use colored pencils and watercolor. Due on Thursday, January 21.
Sunday, January 3, 2010
January 5 - 8
Unit 1 - What is Design?
Current Project: Matisse Cut-Out Style Collographs- Apply different textures to create an exciting collograph
- Demonstrating an understanding of positive and negative space
- Choose at least two colors for the collograph using color theory to enhance the meaning of the collograph
- Develop the collograph design based on either an abstraction of nature or on a personal life-experience
- Formally present the best print to the class and defend the collograph design and color choice.
- Tuesday: Introduce course syllabus and expectations. Begin repairing sculpture from last semester.
- Wednesday: Begin working on black square construction. Choose word and begin planning how shapes and lines can be expressive of the word chosen. Work on sculptures.
- Thursday: Work on black squares and sculptures.
- Friday: Journal Day!
Journal Assignment: Hand Designs. Using only black pen, design your hand to reflect your name and family background. You can use the letters of your name and any designs that are representative of your background. For example, if you are of Irish decent, you could use shamrocks as design elements. One good idea to begin with is to use pencil to sketch with and then follow it up with pen design.
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